words and peculiar phraseology, were as effective as eloquence. He observed that he was not angry with Mitya for having knocked him down and struck him on the face; he had forgiven him long ago, he said. Of the deceased Smerdyakov he observed, crossing himself, that he was a lad of ability, but stupid and afflicted, and, worse still, an infidel, and that it was Fyodor Pavlovitch and his elder son who had taught him to be so. But he defended Smerdyakov’s honesty almost with warmth, and related how Smerdyakov had once found the master’s money in the yard, and, instead of concealing it, had taken it to his master, who had rewarded him with a “gold piece” for it, and trusted him implicitly from that time forward. He maintained obstinately that the door into the garden had been open. But he was asked so many questions that I can’t recall them all.
At last the counsel for the defense began to cross-examine him, and the first question he asked was about the envelope in which Fyodor Pavlovitch was supposed to have put three thousand roubles for “a certain person.”
“Have you ever seen it, you, who were for so many years in close attendance on your master?”
Grigory answered that he had not seen it and had never heard of the money from anyone “till everybody was talking about it.” This question about the envelope Fetyukovitch put to everyone who could conceivably have known of it, as persistently as the prosecutor asked his question about Dmitri’s inheritance, and got the same answer from all, that no one had seen the envelope, though many had heard of it. From the beginning everyone noticed Fetyukovitch’s persistence on this subject.
“Now, with your permission I’ll ask you a question,” Fetyukovitch said, suddenly and unexpectedly. “Of what was that balsam, or, rather, decoction, made, which, as we learn from the preliminary inquiry, you