He could not go on. His eyes were glittering and he breathed with difficulty. But everyone in the cell was stirred. All except Father Zossima got up from their seats uneasily. The monks looked austere but waited for guidance from the elder. He sat still, pale, not from excitement but from the weakness of disease. An imploring smile lighted up his face; from time to time he raised his hand, as though to check the storm, and, of course, a gesture from him would have been enough to end the scene; but he seemed to be waiting for something and watched them intently as though trying to make out something which was not perfectly clear to him. At last Miüsov felt completely humiliated and disgraced.
“We are all to blame for this scandalous scene,” he said hotly. “But I did not foresee it when I came, though I knew with whom I had to deal. This must be stopped at once! Believe me, your reverence, I had no precise knowledge of the details that have just come to light, I was unwilling to believe them, and I learn for the first time. … A father is jealous of his son’s relations with a woman of loose behavior and intrigues with the creature to get his son into prison! This is the company in which I have been forced to be present! I was deceived. I declare to you all that I was as much deceived as anyone.”
“Dmitri Fyodorovitch,” yelled Fyodor Pavlovitch suddenly, in an unnatural voice, “if you were not my son I would challenge you this instant to a duel … with pistols, at three paces … across a handkerchief,” he ended, stamping with both feet.
With old liars who have been acting all their lives there are moments when they enter so completely into their part that they tremble or shed tears of emotion in earnest, although at that very moment, or a second later, they are able to whisper to themselves, “You know you are lying, you shameless old sinner! You’re acting now, in spite of your ‘holy’ wrath.”