“Father, I will stay here with a light, and seize the favorable moment. As soon as he wakes I’ll begin. I’ll pay you for the light,” he said to the forester, “for the night’s lodging, too; you’ll remember Dmitri Karamazov. Only, Father, I don’t know what we’re to do with you. Where will you sleep?”
“No, I’m going home. I’ll take his horse and get home,” he said, indicating the forester. “And now I’ll say goodbye. I wish you all success.”
So it was settled. The priest rode off on the forester’s horse, delighted to escape, though he shook his head uneasily, wondering whether he ought not next day to inform his benefactor Fyodor Pavlovitch of this curious incident, “or he may in an unlucky hour hear of it, be angry, and withdraw his favor.”
The forester, scratching himself, went back to his room without a word, and Mitya sat on the bench to “catch the favorable moment,” as he expressed it. Profound dejection clung about his soul like a heavy mist. A profound, intense dejection! He sat thinking, but could reach no conclusion. The candle burnt dimly, a cricket chirped; it became insufferably close in the overheated room. He suddenly pictured the garden, the path behind the garden, the door of his father’s house mysteriously opening and Grushenka running in. He leapt up from the bench.
“It’s a tragedy!” he said, grinding his teeth. Mechanically he went up to the sleeping man and looked in his face. He was a lean, middle-aged peasant, with a very long face, flaxen curls, and a long, thin, reddish beard, wearing a blue cotton shirt and a black waistcoat, from the pocket of which peeped the chain of a silver watch. Mitya looked at his face with intense hatred, and for some unknown reason his curly hair particularly irritated him.