development of woman, and even the political emancipation of woman in the near future—that’s my ideal. I’ve a daughter myself, Dmitri Fyodorovitch, people don’t know that side of me. I wrote a letter to the author, Shtchedrin, on that subject. He has taught me so much, so much about the vocation of woman. So last year I sent him an anonymous letter of two lines: ‘I kiss and embrace you, my teacher, for the modern woman. Persevere.’ And I signed myself, ‘A Mother.’ I thought of signing myself ‘A contemporary Mother,’ and hesitated, but I stuck to the simple ‘Mother’; there’s more moral beauty in that, Dmitri Fyodorovitch. And the word ‘contemporary’ might have reminded him of The Contemporary —a painful recollection owing to the censorship. … Good Heavens, what is the matter!”
“Madam!” cried Mitya, jumping up at last, clasping his hands before her in helpless entreaty. “You will make me weep if you delay what you have so generously—”
“Oh, do weep, Dmitri Fyodorovitch, do weep! That’s a noble feeling … such a path lies open before you! Tears will ease your heart, and later on you will return rejoicing. You will hasten to me from Siberia on purpose to share your joy with me—”
“But allow me, too!” Mitya cried suddenly. “For the last time I entreat you, tell me, can I have the sum you promised me today, if not, when may I come for it?”
“What sum, Dmitri Fyodorovitch?”
“The three thousand you promised me … that you so generously—”
“Three thousand? Roubles? Oh, no, I haven’t got three thousand,” Madame Hohlakov announced with serene amazement. Mitya was stupefied.