What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.
What future careers had been possible for Bloom in the past and with what exemplars?
In the church, Roman, Anglican, or Nonconformist: exemplars, the very reverend John Conmee S.J. , the reverend T. Salmon, D.D. , provost of Trinity college, Dr Alexander J. Dowie. At the bar, English or Irish: exemplars, Seymour Bushe, K. C. , Rufus Isaacs, K. C. On the stage, modern or Shakespearean: examplars Charles Wyndham, high comedian, Osmond Tearle († 1901 ), exponent of Shakespeare.
Did the host encourage his guest to chant in a modulated voice a strange legend on an allied theme?
Reassuringly, their place where none could hear them talk being secluded, reassured, the decocted beverages, allowing for subsolid residual sediment of a mechanical mixture, water plus sugar plus cream plus cocoa, having been consumed.
Recite the first (major) part of this chanted legend?
Little Harry Hughes and his schoolfellows all Went out for to play ball. And the very first ball little Harry Hughes played He drove it o’er the jew’s garden wall. And the very second ball little Harry Hughes played He broke the jew’s windows all.
How did the son of Rudolph receive this first part?