frame, while the top was carefully covered with the circular lid, which is given in the plate. The Indian head, winged and crowned with a circlet of twisted bands and feathers, the graceful handles, and the semicircle of sunflowers and ears of corn, which curves beneath the central ornament, will give the reader an accurate idea of the reliefs with which this vase is adorned. Besides these symbols of eternity, fruition and fullness, the vessel still exhibits the brilliant colors of blue, vermillion, lake, yellow and brown, with which it was originally tinted.
Some beautiful specimens of the ancient musical instruments of the Aztecs, are also preserved in this museum, and correct drawings of their flageolets, whistles, drums and rattles, will be found in the engravings.
TEZCOCO—TESCOCINGO.
We turn naturally from the ancient capital of the Aztec empire to the remains of art and architecture which are yet found on the site of Tezcoco, the second city in the realm, and in its vicinity. It was in this place that Cortéz prepared for his second assault upon the city of Tenochtitlan or Mexico, and here he put together and launched on the lake the vessels which he had caused to be fashioned in Tlascala on the other side of the mountains that bound the eastern edge of the valley of Mexico. The spot where these vehicles of his troops across the waters of Tezcoco were first deposited in their proper element is still pointed out by the inhabitants, and is known as El Puente de las Brigantinas, though it is now more than a mile from the shore of the lake.2