pries into all your affairs, and analyzes your whole life, trying to get a handle against you somewhere, able not only to look through a tree, like Lynceus,7 or through stones and shells, but through your friend and domestic and every intimate acquaintance, as far as possible detecting your doings, and digging and ferreting into your designs. For our friends are ill and often die without our knowing anything about it through our delay and carelessness, but we almost pry into even the dreams of our enemies; and our enemy knows even more than we do ourselves of our diseases and debts and differences with our wives.8 But they pay most attention to our faults and hunt them out: and as vultures follow the scent of putrid carcases, and cannot perceive sound and wholesome ones, so the diseases and vices and crimes of life attract the enemy, and on these those that hate us pounce, these they attack and tear to pieces. Is not this an advantage to us? Certainly it is. For it teaches us to live warily and be on our guard, and neither to do or say anything carelessly or without circumspection, but ever to be vigilant by careful mode of living that we give no handle to an enemy. For the cautiousness that thus represses the passions and follows reason implants a care and determination to live well and without reproach. For as those states that have been sobered by wars with their neighbours and continual campaigns love the blessings of order and peace, so those people who are compelled to lead a sober life owing to their enemies, and to be on their guard against carelessness and negligence, and to do everything with an eye to utility, imperceptibly glide into a faultless mode of life, and tone down their character, even without requiring much assistance from precepts. For those who always remember the line,
are by it diverted from and learn to shun all such things as their enemies would rejoice and laugh at. Again we see actors9 and singers on the stage oftentimes slack and remiss, and not taking sufficient pains about their performances in the theatres when they have it all to themselves; but when there is a competition and contest with others, they not only wake up but tune their instruments, and adjust their chords, and play on the