criticism and maxims the best corrections of any mistakes into which they may have fallen by the way. Is not the House of Fame, as the poet tells us, a more wonderful and quaintly wrought habitation than Domus Dedali itself? And may not honest historians be pardoned if they are sometimes confused for a brief moment by the never-ending noise and marvellous motion of that deceptive mint and treasury, and fatigued by the continual trial and examination of the material that issues therefrom? The student will, at least, learn from MM. Langlois and Seignobos to have no mercy on his own shortcomings, to spare no pains, to grudge no expenditure of time or energy in the investigation of a carefully chosen and important historical problem, to aim at doing the bit of work in hand so thoroughly that it will not need to be done again.
It would be unjust to omit here to mention Dr. Bernheim's "Exposition of Historic Method," or Lehrbuch der historischen Methode, so justly praised and used by our authors, but I believe that as an introduction to the subject, intended for the use of English or North American students, this little volume will be found the handier and more practical work. Of its value to English workers I can speak from experience, and I know many teachers to whom it will be welcome in its present form.