a step farther. In themselves conceptions are nothing but facts in psychology; but imagination does not create its objects, it takes the elements of them from reality. Descriptions of imaginary facts are constructed out of the real facts which the author has observed in his experience. These elements of knowledge, the raw material of the imaginary description, may be sought for and isolated. In dealing with periods and with classes of facts for which documents are rare—antiquity, for example, and the usages of private life—the attempt has been made to lay under contribution works of literature, epic poems, novels, plays. The method is legitimate, but only within the limits of certain restrictions which one is very apt to forget.
(1) It does not apply to social facts of a psychological order, the moral or artistic standards of a society; the moral and æsthetic conceptions in a document give at most the individual standards of the author; we have no right to conclude from these to the morals or the æsthetic tastes of the age. We must at least wait till we have compared several different authors of the same period.
(2) Descriptions even of physical facts and objects may be products of the author's imagination. It is only the elements of them which we know to be certainly real; all that we can assert is the separate existence of the irreducible elements, form, material, colour, number. When the poet speaks of golden gates or silver bucklers, we cannot infer that golden gates and silver bucklers ever existed in reality; nothing is certain beyond the separate existence of gates, bucklers, gold, and silver. The analysis must therefore be carried to the point of distinguishing those elements which the