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In the neighborhood of a rural English town in the 1830s, several men and women struggle with love, marriage and fortune.

Page 128 of 1106
Table of Contents

XI

But deeds and language such as men do use, And persons such as comedy would choose, When she would show an image of the times, And sport with human follies, not with crimes.

Lydgate, in fact, was already conscious of being fascinated by a woman strikingly different from Miss Brooke: he did not in the least suppose that he had lost his balance and fallen in love, but he had said of that particular woman, “She is grace itself; she is perfectly lovely and accomplished. That is what a woman ought to be: she ought to produce the effect of exquisite music.” Plain women he regarded as he did the other severe facts of life, to be faced with philosophy and investigated by science. But Rosamond Vincy seemed to have the true melodic charm; and when a man has seen the woman whom he would have chosen if he had intended to marry speedily, his remaining a bachelor will usually depend on her resolution rather than on his. Lydgate believed that he should not marry for several years: not marry until he had trodden out a good clear path for himself away from the broad road which was quite ready made. He had seen Miss Vincy above his horizon almost as long as it had taken Mr. Casaubon to become engaged and married: but this learned gentleman was possessed of a fortune; he had assembled his voluminous notes, and had made that sort of reputation which precedes performance⁠—often the larger part of a man’s fame. He took a wife, as we have seen, to adorn the remaining quadrant of his course, and be a little moon that would cause hardly a calculable perturbation. But Lydgate was young, poor, ambitious. He had his half-century before him instead of behind him, and he had come to Middlemarch bent on doing many things that were not directly fitted to make his fortune or even secure him a good income. To a man under such circumstances, taking a

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