There are natures in which, if they love us, we are conscious of having a sort of baptism and consecration: they bind us over to rectitude and purity by their pure belief about us; and our sins become that worst kind of sacrilege which tears down the invisible altar of trust. “If you are not good, none is good”⁠—those little words may give a terrific meaning to responsibility, may hold a vitriolic intensity for remorse.

Dorothea’s nature was of that kind: her own passionate faults lay along the easily counted open channels of her ardent character; and while she was full of pity for the visible mistakes of others, she had not yet any material within her experience for subtle constructions and suspicions of hidden wrong. But that simplicity of hers, holding up an ideal for others in her believing conception of them, was one of the great powers of her womanhood. And it had from the first acted strongly on Will Ladislaw. He felt, when he parted from her, that the brief words by which he had tried to convey to her his feeling about herself and the division which her fortune made between them, would only profit by their brevity when Dorothea had to interpret them: he felt that in her mind he had found his highest estimate.