Scenes which make vital changes in our neighbors’ lot are but the background of our own, yet, like a particular aspect of the fields and trees, they become associated for us with the epochs of our own history, and make a part of that unity which lies in the selection of our keenest consciousness.
The dreamlike association of something alien and ill-understood with the deepest secrets of her experience seemed to mirror that sense of loneliness which was due to the very ardor of Dorothea’s nature.
The country gentry of old time lived in a rarefied social air: dotted apart on their stations up the mountain they looked down with imperfect discrimination on the belts of thicker life below.
And Dorothea was not at ease in the perspective and chilliness of that height.
“I shall not look any more,” said Celia, after the train had entered the church, placing herself a little behind her husband’s elbow so that she could slyly touch his coat with her cheek. “I dare say Dodo likes it: she is fond of melancholy things and ugly people.”
“I am fond of knowing something about the people I live among,” said Dorothea, who had been watching everything with the interest of a monk on his holiday tour. “It seems to me we know nothing of our neighbors, unless they are cottagers. One is constantly wondering what sort of lives other people lead, and how they take things. I am quite obliged to Mrs. Cadwallader for coming and calling me out of the library.”
“Quite right to feel obliged to me,” said Mrs. Cadwallader. “Your rich Lowick farmers are as curious as any buffaloes or bisons, and I dare say you don’t half see them at church. They are quite different from your uncle’s tenants or Sir James’s—monsters—farmers without landlords—one can’t tell how to class them.”