as facts of real life (as then understood), applied to nonexistent, unvouched, or legendary individuals. They are not bare records of fact, like the Chronicles; imagination enters into their scope; nonhuman, miraculous incidents are allowable; their content is not a matter for faith or factual record; they may be called historical fiction, which, broadly taken, corresponded to actual events, and typified the national strivings and ideals. The traditional ceremonial songs, magical incantations and popular melodies are of the same date and in the same style.

Thirdly, the folktales. In their matter, these differ little, if at all, from the common Aryan stock. In their treatment, there are well-marked divergencies. They are, in the first place, characterized by the so-called realism that tinges all Russian literature; a better word would be factualism, as realism is associated with the anti-romanticism that accentuates material facts and seeks to obliterate moral factors.

This attitude of mind is rather like that of a careful observer, who has become callous, because he is helpless⁠—an attitude of those who serve and stand and wait.