benefit from his art unless he were paid as well?
I suppose not.
But does he therefore confer no benefit when he works for nothing?
Certainly, he confers a benefit.
The true ruler or artist seeks, not his own advantage, but the perfection of his art; and therefore he must be paid. Then now, Thrasymachus, there is no longer any doubt that neither arts nor governments provide for their own interests; but, as we were before saying, they rule and provide for the interests of their subjects who are the weaker and not the stronger—to their good they attend and not to the good of the superior. And this is the reason, my dear Thrasymachus, why, as I was just now saying, no one is willing to govern; because no one likes to take in hand the reformation of evils which are not his concern without remuneration. For, in the execution of his work, and in giving his orders to another, the true artist does not regard his own interest, but always that of his subjects; and therefore in order that rulers may be willing to rule, they must be paid in one of three modes of payment, money, or honour, or a penalty for refusing.
Three modes of paying rulers, money, honour, and a penalty for refusing to rule. What do you mean, Socrates? said Glaucon. The first two modes of payment are intelligible enough, but what the penalty is I do not understand, or how a penalty can be a payment.
You mean that you do not understand the nature of