may call irrational, useless, and cowardly?
Indeed, we may.
And does not the latter—I mean the rebellious principle—furnish a great variety of materials for imitation? Whereas the wise and calm temperament, being always nearly equable, is not easy to imitate or to appreciate when imitated, especially at a public festival when a promiscuous crowd is assembled in a theatre. For the feeling represented is one to which they are strangers.
Certainly.
Then the imitative poet who aims at being popular is not by nature made, nor is his art intended, to please or to affect the rational principle in the soul; but he will prefer the passionate and fitful temper, which is easily imitated?
Clearly.
they minister in an inferior manner to an inferior principle in the soul. And now we may fairly take him and place him by the side of the painter, for he is like him in