master it, and he knew that the correctness of his ear would enable him to tune it. He made a careful study of the instrument and of every separate part, spent days over the task, discovered the injury and the cause of it, and not only took the instrument to pieces and restored it to its former condition, but did his work so well that the piano was pronounced fully as good in every respect as when it was new. This was not all. He discovered defects in the instrument which even its maker was not able to remedy, and his fertile brain at once suggested to him a plan for removing them.
Here was a chance for him, and he resolved to profit by it. He would abandon cabinet-making and learn the manufacture of pianos. Then, when master of his trade, he would make use of his discoveries, and earn both fame and fortune. When his determination to change his business was made known, his friends attributed it to his desire to be in the midst of musical instruments, and where he could gratify his love of music; but this was only a part of the motive which influenced him. He meant to rise in the world, and he was sure that he held in his hands the means of doing so.
In 1818, when twenty years old, he removed to Boston, and obtained employment with a cabinet-maker. He did this in order to give him time to look about him, to become familiar with the city and city life, and to acquire such other information as would enable him to decide upon the best means of putting his plans into execution. He saved his wages with the greatest care, and at the end of his first year in Boston had accumulated a modest little sum, which he meant should support him while he was learning his new trade.
On the 15th of February, 1819, without the loss of a day, he began work with a piano-maker.
He had now entered upon what he meant should be the business of his life, and he was resolved that he would be master of it. From the first he