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CHAPTER XXX.

Remaining two years in Dusseldorf, Leutze went to Munich to study the works of Cornelius and Kaulbach, and while there painted another scene in the life of the Great Discoverer, "Columbus before the Queen." Upon completing this picture he went to Venice, Rome, and the other Italian cities, making careful studies of the masters of that school. He gave two years to his travels, visiting the Tyrol, and reveling in the magnificent scenery through which he journeyed. He went into Switzerland, sketching the glorious beauties of its Alps, and reached the Rhine at Strasbourg. Then, sailing down that beautiful river, he set foot once more in Dusseldorf, glad, as he declared, to end his wanderings in the midst of his friends. Here he determined to locate himself permanently, and soon after his return he married.

He lived in Dusseldorf for fourteen years, devoting himself assiduously to his art. His labors were incessant. Historic subjects make up the vast bulk of his productions during this period, and in his treatment of them he adhered closely to the style of the Dusseldorf school. The best known of his works during this portion of his career are "The Landing of the Norsemen in America;" "Cromwell and his Daughter;" "The Court of Queen Elizabeth;" "Henry VIII. and Anne Boleyn;" "The Iconoclast," and his famous and brilliant series of pictures illustrative of the events of the American War of Independence. The most prominent of these were, "Washington Crossing the Delaware;" "Washington at Monmouth;" "Washington at the Battle of Monongahela;" "News from Lexington;" "Sergeant Jasper," and "Washington at Princeton." These are fine paintings, possessing striking characteristics, and are all more or less popular. "Washington Crossing the Delaware" is perhaps the best known, since it has been engraved, and sold in all parts of the country in that form.

During his absence in Germany, Leutze did not forget the country of his choice, as his devotion to American subjects amply testifies. When he had won a proud name in his art by his labors in Dusseldorf, and had laid

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