him, but caring for no other society. During the day he remained in his study, which overlooked the old battle-field, or, passing down the lawn at the back of the house to the river, spent the afternoon in rowing on the pretty stream. At night he would take long walks, or row up the river to the bridge by which the British crossed the stream, and enjoy his favorite luxury—a bath. The village people were full of curiosity to know something about him, for he was absolutely unknown to them; and any one who understands what the curiosity of a New England villager is can readily imagine the feelings with which the people of Concord regarded their mysterious neighbor. They were never satisfied, however, for Hawthorne shrank from prying eyes with indescribable horror. He kept his ways, and compelled them to let him alone. He could easily avoid the town in his walks or his rides upon the river, and he was rarely seen passing through the streets unless compelled to do so by matters which needed his attention in Concord.
Yet the "Old Manse" was not without its guests. Hawthorne was a man of many friends, and these came often to see him. They were men after his own heart, and among them were Emerson, Ellery, Channing, Thoreau, Whittier, Longfellow, and George William Curtis. The last-named has left us this pleasant picture of our author in the midst of his friends:
"During Hawthorne's first year's residence in Concord, I had driven up with some friends to an esthetic tea at Mr. Emerson's. It was in the winter, and a great wood-fire blazed upon the hospitable hearth. There were various men and women of note assembled, and I, who listened attentively to all the fine things that were said, was for some time scarcely aware of a man who sat upon the edge of the circle, a little withdrawn, his head slightly thrown forward upon his breast, and his bright eyes clearly burning under his black brow. As I drifted down the stream of talk, this person who sat silent as a shadow looked to me as Webster might have looked had he been a poet—a kind of poetic Webster. He