and the death scene of this play, as given by Booth, is simply appalling.
It is in vain, however, that we select special characters or attempt descriptions of them. No one can truly understand Edwin Booth's acting without seeing it. He has studied his heroes so profoundly, analyzed their characters so subtly, and entered so heartily into sympathy with them, that he has, become able, by the aid of his wonderful genius, to entirely discard his own personality, and assume theirs at will.
Mr. Booth has steadily risen in power and finish as an actor, for his labors have been unceasing. Great as his triumphs have been, he does not regard himself as freed from the necessity of study. His studies have become more intelligent than in former years, but not the less faithful. He has the true artist's aspiration after the rarest perfection in his art, though to those of us without the charmed circle it is difficult to see how he can excel his present excellence. Yet that he does so we have undoubted proof, for we see him rising higher in the admiration and esteem of the world every year, and each year we gather fresh laurels to twine around his brows.