would cover a wall ten feet high and a quarter of a mile long if arranged side by side on a flat surface. The most famous are his "Death of Wolfe;" "Regulus, a Prisoner to the Carthaginians;" "The Battle of La Hogue;" "The Death of Bayard;" "Hamilcar Swearing the Infant Hannibal at the Altar;" "The Departure of Regulus;" "Agrippina Landing with the Ashes of Germanicus;" "Christ Healing the Sick;" "Death on the Pale Horse;" "The Descent of the Holy Ghost on the Saviour in the Jordan;" "The Crucifixion;" and "Christ Rejected."
The picture which brought him most prominently before the public, and which placed his popularity beyond dispute, was "The Death of Wolfe at Quebec." It was fashionable at this time to treat nothing but subjects from ancient history, and when West announced his intention of painting a picture of contemporary history his friends warned him that he was incurring a serious risk. Nevertheless he finished his "Death of Wolfe," and it was exhibited in the National Gallery. The public "acknowledged its excellence at once, but the lovers of old art—called classical—complained of the barbarism of boots, buttons, and blunderbusses, and cried out for naked warriors, with bows, bucklers, and