could be so opened as to disclose it at once to full view. West was placed in the situation where it was seen to the most advantage, and the spectators arranged themselves on each side. When the keeper threw open the doors, the artist felt himself surprised with a sudden recollection altogether different from the gratification which he had expected, and without being aware of the force of what he said, exclaimed, 'My God! how like it is to a young Mohawk warrior.' The Italians, observing his surprise and hearing the exclamation, were excessively mortified to find that the god of their idolatry was compared to a savage. They mentioned their chagrin, and asked West to give some more distinct explanation, by informing them what sort of people the Mohawk Indians were. He described to them their education, their dexterity with the bow and arrow, the admirable elasticity of their limbs, and how much their active life expands the chest, while the quick breathing of their speed in the chase dilates the nostrils with that apparent consciousness of vigor which is so nobly depicted in the 'Apollo.' 'I have seen them often,' added he, 'standing in that very attitude, and pursuing with an intense eye the arrow which they had just discharged from the bow,' The Italians were delighted with this descriptive explanation, and allowed that a better criticism had never been pronounced on the merits of the statue."
Soon after his arrival in Rome, West painted a portrait of Lord Grantham, which won him considerable reputation. It was at first attributed to Raphael Meugs, but when the true artist was announced, and the circumstances of his history became known, West found himself suddenly famous, with orders enough to place him at once in comfortable circumstances. Cardinal Albani and Lord Grantham were very kind to him during his stay in Rome, and Raphael Meugs advised him to make a careful tour of study through the Italian art capitals. While in Rome he painted two pictures, "Cimon and Iphigenia," and "Angelica and Medora," which were well received, and during this period he was elected a member by the Academies of Florence, Bologna, and