evidenced by his constant devotion to the great cause itself. Younger artists speak of him with affection and respect, because he has ever been zealous in the promotion of a taste for, and a study of, the fine arts. Having entered the field at too early a period to realize the promise of his youth, and driven by circumstances from the high aims he cherished, misanthropy was never suffered to grow out of personal disappointment. He gazed reverently upon the goal it was not permitted him to reach, and ardently encouraged the spirit which he felt was only to be developed when wealth and leisure had given his countrymen opportunities to cultivate those tastes upon the prevalence of which the advancement of his favorite pursuit depends. When, after the failure of one of his elaborate projects, he resolved to establish himself in New York, he was grieved to find that many petty dissensions kept the artists from each other. He made it his business to heal these wounds and reconcile the animosities that thus retarded the progress of their common object. He sought out and won the confidence of his isolated brothers, and one
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