CodalSearch this book — or all of Codal…⌘K
nydus/Great Fortunes, and How They Were MadePublic
Page 650 of 689
Table of Contents

CHAPTER XXXV.

In its internal arrangements the theater is in keeping with its external magnificence. Entering through a sumptuous vestibule, the visitor passes into the magnificent auditorium, which is in itself a rare piece of decorative art. The seats are admirably arranged, each one commanding a view of the stage. The floor is richly carpeted, and the seats are luxuriously upholstered. Three elegant light galleries rise above the parquet. The walls and ceiling are exquisitely frescoed, and ornamented with bas reliefs in plaster. The proscenium is beautifully frescoed and carved, and is adorned with busts of the elder Booth and the proprietor of the theater; and in the sides before the curtain are arranged six sumptuous private boxes. The curtain is a beautiful landscape. The decoration of the house is not done in the rough scenic style so common in the most of the theaters of the country, but is the perfection of frescoe painting, and is capable of bearing the closest examination. The stage is very large, and slopes gradually from the rear to the footlights. The orchestra pen is sunk below the level of the stage, so that the heads of the musicians do not cut off the view of the audience. The dressing of the stage is novel. The side scenes or wings, instead of being placed at right angles to the spectator as in most theaters, are so arranged that the scene appears to extend to the right and left as well as to the rear. In this way the spectator is saved the annoyance of often looking through the wings, a defect which in most theaters completely dispels the illusion of the play. The scenery here is not set by hand, but is moved by machinery, and with such regularity and precision that these changes have very much the effect of "dissolving views." The scenes themselves are the works of highly educated artists, and never degenerate into the rough daubs with which most playgoers are familiar. The building is fire-proof, and is warmed and ventilated in a peculiar manner. The great central chandelier and the lights around the cornice of the auditorium are lighted by electricity.

650