Its entrance was by no means easy to discover: but this was no obstacle to Ambrosio, who at the time of Antonia’s funeral had observed it too carefully to be deceived. He found the door, which was unfastened, pushed it open, and descended into the dungeon. He approached the humble tomb in which Antonia reposed. He had provided himself with an iron crow and a pickaxe; but this precaution was unnecessary. The grate was slightly fastened on the outside: he raised it, and placing the lamp upon its ridge, bent silently over the tomb. By the side of three putrid half-corrupted bodies lay the sleeping beauty. A lively red, the forerunner of returning animation, had already spread itself over her cheek; and as wrapped in her shroud she reclined upon her funeral bier, she seemed to smile at the images of death around her. While he gazed upon their rotting bones and disgusting figures, who perhaps were once as sweet and lovely, Ambrosio thought upon Elvira, by him reduced to the same state. As the memory of that horrid act glanced upon his mind, it was clouded with a gloomy horror. Yet it served but to strengthen his resolution to destroy Antonia’s honour.