and delicate texture of the intrigue. His taste for dramatic composition was, no doubt, nourished by his intimacy with the great Calderon, for whose dramas he prepared several loas, or prologues. The amiable manners and brilliant acquisitions of Solís recommended him to the favor of the Conde de Oropesa, Viceroy of Navarre, who made him his secretary. The letters written by him while in the service of this nobleman, and afterwards, have some of them been given to the public, and are much commended for the suavity and elegance of expression characteristic of all the writings of their author.
The increasing reputation of Solís attracted the notice of the Court, and in 1661 he was made secretary to the queen dowager,—an office which he had declined under Philip the Fourth,—and he was also preferred to the still more important post of Historiographer of the Indies, an appointment which stimulated his ambition to a bold career, different from anything he had yet attempted. Five years after this event, at the age of fifty-six, he made a most important change in his way of life, by embracing the religious profession, and was admitted to priest’s orders in 1666. From this time he discontinued his addresses to the comic Muse, and, if we may credit his biographers, even refused, from conscientious scruples, to engage in the composition of the religious dramas, styled autos sacramentales, although the field was now open to him by the death of the poet Calderon. But such tenderness of conscience it seems difficult to reconcile with the publication of his various comedies, which took place in 1681. It is certain, however, that he devoted himself zealously to his new profession, and to the historical studies in which his office of chronicler had engaged him. At length the fruits of these studies were given to the world in his Conquista de Méjico, which appeared at Madrid in 1684. He designed, it is said, to continue the work to the times after the Conquest.