The child will already be a great student of picture-books at five, something of a critic (after the manner of the realistic school), and it will be easy to egg it almost imperceptibly to a level where copying from simple outline illustrations will become possible. About five, a present of some one of the plastic substitutes for modelling clay now sold by educational dealers, plasticine for example, will be a discreet and acceptable present to the child—if not to its nurse.
The child’s imagination will also be awake and active at five. He will look out on the world with anthropomorphic (or rather with pædomorphic) eyes. He will be living on a great flat earth—unless some officious person has tried to muddle his wits by telling him the earth is round; amidst trees, animals, men, houses, engines, utensils, that are all capable of being good or naughty, all fond of nice things and hostile to nasty ones, all thumpable and perishable, and all conceivably esurient. And the child should know of Fairy Land. The beautiful fancy of the “Little People,” even if you do not give it to him, he will very probably get for himself; they will lurk always just out of reach of his desiring curious eyes, amidst the grass and flowers and behind the wainscot and in the shadows of the bedroom. He will come upon their traces; they will do him little kindnesses. Their affairs should interweave with the affairs of the child’s dolls and brick castles and toy furniture. At first the child will scarcely be in a world of sustained stories, but very eager for anecdotes and simple short tales.
This is the hopeful foundation upon which at or about the fifth year the formal education of every child in a really civilized community ought to begin. [Footnote: One may note here, perhaps, the desirability too often disregarded by over-solicitous parents, and particularly by the parents of the solitary children who are now so common, of keeping the child a little out of focus, letting it play by itself whenever it will, never calling attention to it in a manner that awakens it to the fact of an audience, never talking about it in its presence. Solitary children commonly get too