IX. THE ORGANIZATION OF THE HIGHER EDUCATION

translation however bad that no other translation however good can impart. Plato, for example, who has certainly in the very best translations, quite perceptibly no greater mind than Lord Bacon, Newton, Darwin, or Adam Smith, becomes god-like to all who pass beyond the Little-Go. The controversy is as old as the Battle of the Books, a quite interminable wrangle, which I will not even attempt to summarize here. For my own part I believe all this defence of the classics on the part of men with classical education is but one more example of that human weakness that splashes Oxford metaphysical writings with needless tags and shreds of Greek and set Demetrius the silversmith bawling in the streets. If the reader is of another opinion there is no need to convert him in this present argument, provided only that he will admit the uselessness of his high mystery for the training of the larger mass of modern men. By his standards they are beneath it. A convention upon this issue between the two parties therefore is attainable. Let us admit the classical course for the parents who like and can afford this sort of thing for their sons and daughters. Let us withdraw all objections to its endowment, unless it is quite excessive endowment. Let the classical be the senior service, and the classical professor, to use his own queer way of putting things, primus inter pares . That will make four courses altogether, the Classical, the Historical, the Biological, and the Physical, for one or more of which all the secondary schools and colleges in that great English-speaking community at which the New Republic aims should be organized. [Footnote: One may, however, suggest one other course as possible under special conditions. There is one sort of art that requires not only a very rigorous and exhaustive training, but also an early commencement, and that is music, at once the most isolated and the most universal of arts. Exceptional gifts in the direction of music will have appeared in the schooling stage, and it is quite conceivable that the college phase for those who are destined for a musical career should have as its backbone a “grind” in the theory and practice of music, with languages and general culture relegated to a Section ii.]