V. THE MAN-MAKING FORCES OF THE MODERN STATE

under the name of art. Think of it! Here is your great artist, your great exceptional mind groping in the darknesses beneath the surface of life, half apprehending strange elusive things in those profundities, and striving—striving sometimes to the utmost verge of human endeavour—to give that strange unsuspected mystery expression, to shape it, to shadow it in form and wonder of colour, in beautiful rhythms, in phantasies of narrative, in gracious and glowing words. So much in its essential and precious degree is art. Think of what the world must be in the wider vision of the great artist. Think, for example, of the dark splendours amidst which the mind of Leonardo clambered; the mirror of tender lights that reflected into our world the iridescent graciousness of Botticelli! Then to the faint and faded intimations these great men have left us of the things beyond our scope, comes the scholastic intelligence, gesticulating instructively, and in too many cases obscuring for ever the naive vision of the child. The scholastic intelligence, succulently appreciative, blind, hopelessly blind to the fact that every great work of art is a strenuous, an almost despairing effort to express and convey, treats the whole thing as some foolish riddle—“explains it to the children.” As if every picture was a rebus and every poem a charade! “Little children,” he says, “this teaches you”—and out comes the platitude!