“No, Rodion Romanovitch, Nikolay doesn’t come in! This is a fantastic, gloomy business, a modern case, an incident of today when the heart of man is troubled, when the phrase is quoted that blood ‘renews,’ when comfort is preached as the aim of life. Here we have bookish dreams, a heart unhinged by theories. Here we see resolution in the first stage, but resolution of a special kind: he resolved to do it like jumping over a precipice or from a bell tower and his legs shook as he went to the crime. He forgot to shut the door after him, and murdered two people for a theory. He committed the murder and couldn’t take the money, and what he did manage to snatch up he hid under a stone. It wasn’t enough for him to suffer agony behind the door while they battered at the door and rung the bell, no, he had to go to the empty lodging, half delirious, to recall the bell-ringing, he wanted to feel the cold shiver over again. … Well, that we grant, was through illness, but consider this: he is a murderer, but looks upon himself as an honest man, despises others, poses as injured innocence. No, that’s not the work of a Nikolay, my dear Rodion Romanovitch!”
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