There may be some doubt about the others, but at any rate no passion has a worse look. We have described the angry man’s appearance in our former books, how sharp and keen he looks, at one time pale as his blood is driven inwards and backwards, at another with all the heat and fire of his body directed to his face, making it reddish-coloured as if stained with blood, his eyes now restless and starting out of his head, now set motionless in one fixed gaze. Add to this his teeth, which gnash against one another, as though he wished to eat somebody, with exactly the sound of a wild boar sharpening his tusks: add also the cracking of his joints, the involuntary wringing of his hands, the frequent slaps he deals himself on the chest, his hurried breathing and deep-drawn sighs, his reeling body, his abrupt broken speech, and his trembling lips, which sometimes he draws tight as he hisses some curse through them. By Hercules, no wild beast, neither when tortured by hunger, or with a weapon struck through its vitals, not even when it gathers its last breath to bite its slayer, looks so shocking as a man raging with anger. Listen, if you have leisure, to his words and threats: how dreadful is the language of his agonized mind!
224