If Fletcher of Saltoun is in the right about the influence of national songs, you would say France was come to a poor pass. But the thing will work its own cure, and a sound-hearted and courageous people weary at length of snivelling over their disasters. Already Paul Déroulède has written some manly military verses. There is not much of the trumpet note in them, perhaps, to stir a man’s heart in his bosom; they lack the lyrical elation, and move slowly; but they are written in a grave, honourable, stoical spirit, which should carry soldiers far in a good cause. One feels as if one would like to trust Déroulède with something. It will be happy if he can so far inoculate his fellow-countrymen that they may be trusted with their own future. And in the meantime, here is an antidote to “French Conscripts” and much other doleful versification.
125