It was a troubled uncomfortable evening in the cars. There was thunder in the air, which helped to keep us restless. A man played many airs upon the cornet, and none of them were much attended to, until he came to “Home, sweet home.” It was truly strange to note how the talk ceased at that, and the faces began to lengthen. I have no idea whether musically this air is to be considered good or bad; but it belongs to that class of art which may be best described as a brutal assault upon the feelings. Pathos must be relieved by dignity of treatment. If you wallow naked in the pathetic, like the author of “Home, sweet home,” you make your hearers weep in an unmanly fashion; and even while yet they are moved, they despise themselves and hate the occasion of their weakness. It did not come to tears that night, for the experiment was interrupted. An elderly, hard-looking man, with a goatee beard and about as much appearance of sentiment an you would expect from a retired slaver, turned with a start and bade the performer stop that “damned thing.” “I’ve heard about enough of that,” he added; “give us something about the good country we’re going to.” A murmur of adhesion ran round the car; the performer took the instrument from his lips, laughed and nodded, and then struck into a dancing measure; and, like a new Timotheus, stilled immediately the emotion he had raised.