If you go up to some coign of vantage in the system of low hills that permeates the forest, you will see many different tracts of country, each of its own cold and melancholy neutral tint, and all mixed together and mingled the one into the other at the seams. You will see tracts of leafless beeches of a faint yellowish grey, and leafless oaks a little ruddier in the hue. Then zones of pine of a solemn green; and, dotted among the pines, or standing by themselves in rocky clearings, the delicate, snow-white trunks of birches, spreading out into snow-white branches yet more delicate, and crowned and canopied with a purple haze of twigs. And then a long, bare ridge of tumbled boulders, with bright sand-breaks between them, and wavering sandy roads among the bracken and brown heather. It is all rather cold and unhomely. It has not the perfect beauty, nor the gem-like colouring, of the wood in the later year, when it is no more than one vast colonnade of verdant shadow, tremulous with insects, intersected here and there by lanes of sunlight set in purple heather. The loveliness of the woods in March is not, assuredly, of this blowzy rustic type. It is made sharp with a grain of salt, with a touch of ugliness.