“What is the cat?” he exclaimed. “It is a corrective. The good God, having made the mouse, said: ‘Hullo! I have committed a blunder.’ And so he made the cat. The cat is the erratum of the mouse. The mouse, plus the cat, is the proof of creation revised and corrected.”
Combeferre, surrounded by students and artisans, was speaking of the dead, of Jean Prouvaire, of Bahorel, of Mabeuf, and even of Cabuc, and of Enjolras’ sad severity. He said:—
“Harmodius and Aristogiton, Brutus, Chereas, Stephanus, Cromwell, Charlotte Corday, Sand, have all had their moment of agony when it was too late. Our hearts quiver so, and human life is such a mystery that, even in the case of a civic murder, even in a murder for liberation, if there be such a thing, the remorse for having struck a man surpasses the joy of having served the human race.”
And, such are the windings of the exchange of speech, that, a moment later, by a transition brought about through Jean Prouvaire’s verses, Combeferre was comparing the translators of the Georgics, Raux with Cournand, Cournand with Delille, pointing out the passages translated by Malfilâtre, particularly the prodigies of Caesar’s death; and at that word, Caesar, the conversation reverted to Brutus.
“Caesar,” said Combeferre, “fell justly. Cicero was severe towards Caesar, and he was right. That severity is not diatribe. When Zoïlus insults Homer, when Maevius insults Virgil, when Visé insults Molière, when Pope insults Shakespeare, when Frederic insults Voltaire, it is an old law of envy and hatred which is being carried out; genius attracts insult, great men are always more or less barked at. But Zoïlus and Cicero are two different persons. Cicero is an arbiter in thought, just as Brutus is an arbiter by the sword. For my own part, I blame that last justice, the blade; but, antiquity admitted it. Caesar, the violator of the Rubicon, conferring, as though they came from him, the dignities which emanated