If any physiognomist who had been familiar with Javert, and who had made a lengthy study of this savage in the service of civilization, this singular composite of the Roman, the Spartan, the monk, and the corporal, this spy who was incapable of a lie, this unspotted police agent—if any physiognomist had known his secret and long-cherished aversion for M. Madeleine, his conflict with the mayor on the subject of Fantine, and had examined Javert at that moment, he would have said to himself, “What has taken place?” It was evident to anyone acquainted with that clear, upright, sincere, honest, austere, and ferocious conscience, that Javert had but just gone through some great interior struggle. Javert had nothing in his soul which he had not also in his countenance. Like violent people in general, he was subject to abrupt changes of opinion. His physiognomy had never been more peculiar and startling. On entering he bowed to M. Madeleine with a look in which there was neither rancor, anger, nor distrust; he halted a few paces in the rear of the mayor’s armchair, and there he stood, perfectly erect, in an attitude almost of discipline, with the cold, ingenuous roughness of a man who has never been gentle and who has always been patient; he waited without uttering a word, without making a movement, in genuine humility and tranquil resignation, calm, serious, hat in hand, with eyes cast down, and an expression which was halfway between that of a soldier in the presence of his officer and a criminal in the presence of his judge, until it should please the mayor to turn round. All the sentiments as well as all the memories which one might have attributed to him had disappeared. That face, as impenetrable and simple as granite, no longer bore any trace of anything but a melancholy depression. His whole person breathed lowliness and firmness and an indescribable courageous despondency.
At last the mayor laid down his pen and turned half round.
“Well! What is it? What is the matter, Javert?”