The man, who had barely moistened his lips in the wine which he had poured out for himself, observed the child with peculiar attention.
Cosette was ugly. If she had been happy, she might have been pretty. We have already given a sketch of that sombre little figure. Cosette was thin and pale; she was nearly eight years old, but she seemed to be hardly six. Her large eyes, sunken in a sort of shadow, were almost put out with weeping. The corners of her mouth had that curve of habitual anguish which is seen in condemned persons and desperately sick people. Her hands were, as her mother had divined, “ruined with chilblains.” The fire which illuminated her at that moment brought into relief all the angles of her bones, and rendered her thinness frightfully apparent. As she was always shivering, she had acquired the habit of pressing her knees one against the other. Her entire clothing was but a rag which would have inspired pity in summer, and which inspired horror in winter. All she had on was hole-ridden linen, not a scrap of woollen. Her skin was visible here and there and everywhere black and blue spots could be descried, which marked the places where the Thénardier woman had touched her. Her naked legs were thin and red. The hollows in her neck were enough to make one weep. This child’s whole person, her mien, her attitude, the sound of her voice, the intervals which she allowed to elapse between one word and the next, her glance, her silence, her slightest gesture, expressed and betrayed one sole idea—fear.
Fear was diffused all over her; she was covered with it, so to speak; fear drew her elbows close to her hips, withdrew her heels under her petticoat, made her occupy as little space as possible, allowed her only the breath that was absolutely necessary, and had become what might be called the habit of her body, admitting of no possible variation except an increase. In the depths of her eyes there was an astonished nook where terror lurked.