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Carl von Clausewitz defines war as the exercise of force to attain political objectives, unrestrained by any law other than expediency. This philosophical analysis examines the nature of conflict as a force inherent in nations, providing a foundational framework for understanding the military and political history of modern Europe.

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Table of Contents

CHAPTER III. Art or Science of War

1.—USAGE STILL UNSETTLED (POWER AND KNOWLEDGE. SCIENCE WHEN MERE KNOWING; ART, WHEN DOING, IS THE OBJECT.)

The choice between these terms seems to be still unsettled, and no one seems to know rightly on what grounds it should be decided, and yet the thing is simple. We have already said elsewhere that “knowing” is something different from “doing.” The two are so different that they should not easily be mistaken the one for the other. The “doing” cannot properly stand in any book, and therefore also Art should never be the title of a book. But because we have once accustomed ourselves to combine in conception, under the name of theory of Art, or simply Art, the branches of knowledge (which may be separately pure sciences) necessary for the practice of an Art, therefore it is consistent to continue this ground of distinction, and to call everything Art when the object is to carry out the “doing” (being able), as for example, Art of building; Science, when merely knowledge is the object; as Science of mathematics, of astronomy. That in every Art certain complete sciences may be included is intelligible of itself, and should not perplex us. But still it is worth observing that there is also no science without a mixture of Art. In mathematics, for instance, the use of figures and of algebra is an Art, but that is only one amongst many instances. The reason is, that however plain and palpable the difference is between knowledge and power in the composite results of human knowledge, yet it is difficult to trace out their line of separation in man himself.

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