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Carl von Clausewitz defines war as the exercise of force to attain political objectives, unrestrained by any law other than expediency. This philosophical analysis examines the nature of conflict as a force inherent in nations, providing a foundational framework for understanding the military and political history of modern Europe.

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Table of Contents

CHAPTER XXX. Defence of a Theatre of War ( continued ) When no Decision is Sought for.

The first was Daun’s case in the Seven Years’ War; the latter, the case of Frederick the Great. Still we hardly ever see Daun’s offensive make its appearance except when Frederick the Great invited it by excessive boldness and a display of contempt for him (Hochkirch, Maxen, Landshut). On the other hand, we see Frederick the Great almost constantly on the move in order to beat one or other of Daun’s corps with his main body. He certainly seldom succeeded, at least, the results were never great, because Daun, in addition to his great superiority in numbers, had also a rare degree of prudence and caution; but we must not suppose that, therefore, the king’s attempts were altogether fruitless. In these attempts lay rather a very effectual resistance; for the care and fatigue, which his adversary had to undergo in order to avoid fighting at a disadvantage, neutralised those forces which would otherwise have aided in advancing the offensive action. Let us only call to mind the campaign of 1760, in Silesia, where Daun and the Russians, out of sheer apprehension of being attacked and beaten by the king, first here and then there, never could succeed in making one step in advance.

We believe we have now gone through all the subjects which form the predominant ideas, the principal aims, and therefore the main stay, of the whole action in the defence of a theatre of

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