to fight in that position. But there was little reason for apprehension on that score, because the battles generally depended on a kind of mutual understanding, like a duel, in which the parties repair to a convenient rendezvous. As armies, partly on account of their numerous cavalry, which in the decline of its splendour was still regarded, particularly by the French, as the principal arm, partly on account of the unwieldy organisation of their order of battle, could not fight in every description of country, an army in a close broken country was as it were under the protection of a neutral territory, and as it could itself make but little use of broken ground, therefore, it was deemed preferable to go to meet an enemy seeking battle. We know, indeed, that Luxemburg’s battles at Fleurus, Stienkirk, and Neerwinden, were conceived in a different spirit; but this spirit had only just then under this great general freed itself from the old method, and it had not yet reacted on the method of encampment. Alterations in the art of war originate always in matters of a decisive nature, and then lead by degrees to modifications in other things. The expression il va à la guerre , used in reference to a partizan setting out to watch the enemy, shows how little the state of an army in camp was considered to be a state of real warfare.
It was not much otherwise with the marches, for the artillery then separated itself completely from the rest of the army, in order to take advantage of better and more secure roads, and the cavalry on the wings generally took the right alternately, that each might have in turn its share of the honour of marching on the right.
At present (that is, chiefly since the Silesian wars) the situation out of battle is so thoroughly influenced by its connection with battle that the two states are in intimate correlation, and the one can no longer be completely imagined without the other. Formerly in a campaign the battle was the real weapon, the situation at other times only the handle—the former the steel blade, the other the wooden haft glued to it, the whole therefore composed of heterogeneous parts,—now the battle is the