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Carl von Clausewitz defines war as the exercise of force to attain political objectives, unrestrained by any law other than expediency. This philosophical analysis examines the nature of conflict as a force inherent in nations, providing a foundational framework for understanding the military and political history of modern Europe.

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Table of Contents

CHAPTER XXVIII. Defence of a Theatre of War—( continued )

campaign.

The dimensions of a single theatre of war are seldom so large that the line of communications is exposed to much danger by their length, and even if they were in danger, still the time which the assailant requires for the execution of his blow is usually too short for his progress to be arrested by the slow effects of the action against his communications.

Therefore this means (that is the action against the communications) will prove quite inefficacious in most cases against an enemy determined upon a decision, and also in case the defender seeks such a solution.

The object of the three other means which remain for the defender, is a direct decision—a meeting of centre of force with centre of force; they correspond better, therefore, with the thing required. But we shall at once say that we decidedly prefer the third to the other two, and without quite rejecting the latter, we hold the former to be in the majority of cases the true means of defence.

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