Roger had objected to a band. He didn’t see in the least what they wanted with a band; he wouldn’t go to the expense, and there was an end of it. Francie (her mother, whom Roger had long since reduced to chronic dyspepsia, went to bed on such occasions), had been obliged to content herself with supplementing the piano by a young man who played the cornet, and she so arranged with palms that anyone who did not look into the heart of things might imagine there were several musicians secreted there. She made up her mind to tell them to play loud⁠—there was a lot of music in a cornet, if the man would only put his soul into it.

In the more cultivated American tongue, she was “through” at last⁠—through that tortuous labyrinth of makeshifts, which must be traversed before fashionable display can be combined with the sound economy of a Forsyte. Thin but brilliant, in her maize-coloured frock with much tulle about the shoulders, she went from place to place, fitting on her gloves, and casting her eye over it all.