On coming out Crum said: “It’s half an hour before they close; let’s go on to the Pandemonium.” They took a hansom to travel the hundred yards, and seats costing seven-and-six apiece because they were going to stand, and walked into the Promenade. It was in these little things, this utter negligence of money that Crum had such engaging polish. The ballet was on its last legs and night, and the traffic of the Promenade was suffering for the moment. Men and women were crowded in three rows against the barrier. The whirl and dazzle on the stage, the half dark, the mingled tobacco fumes and women’s scent, all that curious lure to promiscuity which belongs to Promenades, began to free young Val from his idealism. He looked admiringly in a young woman’s face, saw she was not young, and quickly looked away. Shades of Cynthia Dark! The young woman’s arm touched his unconsciously; there was a scent of musk and mignonette. Val looked round the corner of his lashes. Perhaps she

was young, after all. Her foot trod on his; she begged his pardon. He said:

“Not at all; jolly good ballet, isn’t it?”