“Oh, I’m tired of it; aren’t you?”

Young Val smiled⁠—his wide, rather charming smile. Beyond that he did not go⁠—not yet convinced. The Forsyte in him stood out for greater certainty. And on the stage the ballet whirled its kaleidoscope of snow-white, salmon-pink, and emerald-green and violet and seemed suddenly to freeze into a stilly spangled pyramid. Applause broke out, and it was over! Maroon curtains had cut it off. The semicircle of men and women round the barrier broke up, the young woman’s arm pressed his. A little way off disturbance seemed centring round a man with a pink carnation; Val stole another glance at the young woman, who was looking towards it. Three men, unsteady, emerged, walking arm in arm. The one in the centre wore the pink carnation, a white waistcoat, a dark moustache; he reeled a little as he walked. Crum’s voice said slow and level: “Look at that bounder, he’s screwed!” Val turned to look. The “bounder” had disengaged his arm, and was pointing straight at them. Crum’s voice, level as ever, said:

“He seems to know you!” The “bounder” spoke: