Near me was standing Aley in a group consisting of his brothers and all the other Circassians. They were all intensely delighted with the performance, and came every evening afterwards. All Mohammedans, Tatars and others, as I have noticed more than once, are passionately fond of spectacles of all sorts. Next to them Isay Fomitch had tucked himself in. From the moment the curtain rose, he seemed to be all ears and eyes, and simple-hearted, greedy expectation of delights and marvels. It would have been pitiful indeed if he had been disappointed. Aley’s charming face beamed with such pure childlike joy that I must confess I felt very happy in looking at him, and I remember that at every amusing and clever sally on the part of the actors, when there was a general burst of laughter, I could not help turning to Aley and glancing at his face. He did not see me—he had no attention to spare for me! On the left side quite near me stood an old convict who was always scowling, discontented and grumbling. He, too, noticed Aley, and I saw him more than once turn with a half-smile towards him he was so charming! “Aley Semyonitch” he called him, I don’t know why.
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