But there is no need to describe them all. There were two or three more. They were all amusing and inimitably comic. If the convicts did not positively invent them, each of them put something of his own into them. Almost every one of the actors improvised something, so that the following evenings the same parts acted by the same actors were somewhat different. The last pantomime of a fantastic character concluded with a ballet. It was a funeral. The Brahmin with numerous attendants repeated various spells over the coffin, but nothing was of use. At last the strains of the “Setting Sun” are heard, the corpse comes to life and all begin to dance with joy. The Brahmin dances with the resuscitated corpse and dances in a peculiar Brahminical fashion. And so the theatricals were over till the next evening. The convicts dispersed merry and satisfied; they praised the actors, they thanked the sergeant. There were no sounds of quarrelling. Everyone was unusually contented, even as it were happy, and fell asleep not as on other nights, but almost with a tranquil spirit and why, one wonders? And yet it is not a fancy of my imagination. It’s the truth, the reality. These poor people were only allowed to do as they liked, ever so little, to be merry like human beings, to spend one short hour not as though in prison⁠—and they were morally transformed, if only for a few minutes.⁠ ⁠…