Hush!⁠—the clock strikes. Ghostly deep as is the stillness of this convent, it is only eleven. While my ear follows to silence the hum of the last stroke, I catch faintly from the built-out capital, a sound like bells or like a band⁠—a sound where sweetness, where victory, where mourning blend. Oh, to approach this music nearer, to listen to it alone by the rushy basin! Let me go⁠—oh, let me go! What hinders, what does not aid freedom?

There, in the corridor, hangs my garden-costume, my large hat, my shawl. There is no lock on the huge, heavy, porte-cochère; there is no key to seek: it fastens with a sort of spring-bolt, not to be opened from the outside, but which, from within, may be noiselessly withdrawn. Can I manage it? It yields to my hand, yields with propitious facility. I wonder as that portal seems almost spontaneously to unclose⁠—I wonder as I cross the threshold and step on the paved street, wonder at the strange ease with which this prison has been forced. It seems as if I had been pioneered invisibly, as if some dissolving force had gone before me: for myself, I have scarce made an effort.