Once more I lay down. My bed stood in a little alcove; on turning my face to the wall, the room with its bewildering accompaniments became excluded. Excluded? No! For as I arranged my position in this hope, behold, on the green space between the divided and looped-up curtains, hung a broad, gilded picture-frame enclosing a portrait. It was drawn⁠—well drawn, though but a sketch⁠—in watercolours; a head, a boy’s head, fresh, lifelike, speaking, and animated. It seemed a youth of sixteen, fair-complexioned, with sanguine health in his cheek; hair long, not dark, and with a sunny sheen; penetrating eyes, an arch mouth, and a gay smile. On the whole a most pleasant face to look at, especially for those claiming a right to that youth’s affection⁠—parents, for instance, or sisters. Any romantic little schoolgirl might almost have loved it in its frame. Those eyes looked as if when somewhat older they would flash a lightning-response to love: I cannot tell whether they kept in store the steady-beaming shine of faith. For whatever sentiment met him in form too facile, his lips menaced, beautifully but surely, caprice and light esteem.

Striving to take each new discovery as quietly as I could, I whispered to myself⁠—