It seemed to me that an original and good picture was just as scarce as an original and good book; nor did I, in the end, tremble to say to myself, standing before certain chef-d’oeuvres bearing great names, “These are not a whit like nature. Nature’s daylight never had that colour; never was made so turbid, either by storm or cloud, as it is laid out there, under a sky of indigo; and that indigo is not ether; and those dark weeds plastered upon it are not trees.” Several very well executed and complacent-looking fat women struck me as by no means the goddesses they appeared to consider themselves. Many scores of marvellously-finished little Flemish pictures, and also of sketches, excellent for fashion-books displaying varied costumes in the handsomest materials, gave evidence of laudable industry whimsically applied. And yet there were fragments of truth here and there which satisfied the conscience, and gleams of light that cheered the vision. Nature’s power here broke through in a mountain snowstorm; and there her glory in a sunny southern day. An expression in this portrait proved clear insight into character; a face in that historical painting, by its vivid filial likeness, startlingly reminded you that genius gave it birth. These exceptions I loved: they grew dear as friends.