Everything else that was undertaken was just as inefficient as it was absurd. The spiritual prostitution of the people was neither arrested nor was anything whatsoever undertaken in this direction.

Those, however, who do not regard this subject as a serious one would do well to examine the statistical data of the spread of this disease, study its growth in the last century and contemplate the possibilities of its further development. The ordinary observer, unless he were particularly stupid, would experience a cold shudder if the position were made clear to him.

The half-hearted and wavering attitude adopted in pre-War Germany towards this iniquitous condition can assuredly be taken as a visible sign of national decay. When the courage to fight for one's own health is no longer in evidence, then the right to live in this world of struggle also ceases.

One of the visible signs of decay in the old REICH was the slow setback which the general cultural level experienced. But by 'Kultur' I do not mean that which we nowadays style as civilization, which on the contrary may rather be regarded as inimical to the spiritual elevation of life.

At the turn of the last century a new element began to make its appearance in our world. It was an element which had been hitherto absolutely unknown and foreign to us. In former times there had certainly been offences against good taste; but these were mostly departures from the orthodox canons of art, and posterity could recognize a certain historical value in them. But the new products showed signs, not only of artistic aberration but of spiritual degeneration. Here, in the cultural sphere, the signs of the coming collapse first became manifest.

The Bolshevization of art is the only cultural form of life and the only spiritual manifestation of which Bolshevism is capable.

public attention from this great central problem should be relegated to the background.

Anyone to whom this statement may appear strange need only take a glance at those lucky States which have become Bolshevized and, to his horror, he will there recognize those morbid monstrosities which have been produced by insane and degenerate people. All those artistic aberrations which are classified under the names of cubism and dadism, since the opening of the present century, are manifestations of art which have come to be officially recognized by the State itself. This phenomenon made its appearance even during the short-lived period of the Soviet Republic in Bavaria. At that time one might easily have recognized how all the official posters, propagandist pictures and newspapers, etc., showed signs not only of political but also of cultural decadence.

acceptance of this kind of art. It would have marked one of the worst changes in human history; for it would have meant that a retrogressive process had begun to take place in the human brain, the final stages of which would be unthinkable.

If we study the course of our cultural life during the last twenty-five years we shall be astonished to note how far we have already gone in this process of retrogression. Everywhere we find the presence of those germs which give rise to protuberant growths that must sooner or later bring about the ruin of our culture. Here we find undoubted symptoms of slow corruption; and woe to the nations that are no longer able to bring that morbid process to a halt.