There it was that Vienna encountered the first difficulty. When Hansen, the Danish architect, had completed the last gable of the marble palace in which the new body of popular representatives was to be housed he had to turn to the ancient classical world for subjects to fill out his decorative plan. This theatrical shrine of 'Western Democracy' was adorned with the statues and portraits of Greek and Roman statesmen and philosophers. As if it were meant for a symbol of irony, the horses of the quadriga that surmounts the two Houses are pulling apart from one another towards all four quarters of the globe. There could be no better symbol for the kind of activity going on within the walls of that same building.